I find it very precarious for a culture only to be able to measure performance and never to be able to credit the questions themselves ... ...

lee simmons 's grandioso , the door at 77 wimpole street.

... it's good when your conscience receives big wounds, because that makes it more sensitive to every twinge. I think we ought to read ...

above—autumn: the pig slaughter; below—the numbering at bethlehem. pieter brueghel the younger, in " the bad shepherd ," until ...

Theorists are apt to vex themselves with vain efforts to remove uncertainty just where it has a high aesthetic value. donald francis ...

The concept of intelligence is ambiguous when action and learning occur simultaneously at several nested levels of a system ... [s]ince exp...

among the several highlights of frieze masters was helly nahmad 's booth. this consisted of a lavishly detailed art collector's ap...

richard tuttle, 1988. at sperone westwater .

john chamberlain, 1979.

a small self-portrait, in acrylic, at pace london ; frieze 2014.

assume vivid astro focus at peres projects ; frieze 2014 .

an old-skool sort of butcher . 1706 church st, san francisco.

the mayday rooms . 88 fleet street, across from goldman sachs.

10 rue richer, paris 75009.

bakalar is croatian for bacalao, which is spanish for dried salt cod—a health food. this is the split klubhouse of a secretive invitatio...

an old pumping station still in the process of being converted into a home. upstairs, a temporary yurt surrounded by crayon drawings illus...

when you say it is "cherry red," what exactly do you mean?

charles harlan 's concrete sacks at max wigram 's group show ice fishing . mcarthur binion 's crayon panels in the same show are...

stephen scrivener , at GV art .

nicholas pope at richard saltoun and mehran elminia at rosenfeld porcini .

many of bridget riley 's stripe paintings are currently on show at david zwirner. riley directed the installation of the entire galler...

the life of affluence and pleasure requires exact discipline and high imagination. alan watts, does it matter?