really is a white cube. heading home after an unexpectedly long lunch in bermondsey, the aggressive luminosity of the white cube's internal lighting caught my eye. it is a feat for the ambient interior lighting of a building to be visible from nearly 40 meters away in full sun.
inside is the usual junk and then a quite large show by larry bell which is very worthwhile. the "light knots" are the most elegant and economical of the works on display. like a fred sandback yarn sculpture, these make a big point with almost no material, achieving the effect of appearing simultaneously there and not with only hanging pieces of metallised mylar. in person, these objects have an apparent volume quite different (and not necessarily larger) than their actual volume.
they're an evolution from the glass pieces in working at the margins of understanding the affordances—opacity, reflectivity, chromatic purity, and now also topography—of various materials. clearly new, yet on a developmental trajectory from previous work and with an ever-increasing economy of means. an artist i have come to admire.
his website is also ... well, you can see for yourself.